Inspiration - Lessons

A Simple Guide to Choosing Your First School Instrument

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We know you’ve been eagerly awaiting the letter from your child’s school with their new teacher for the year, but summer is almost over and you haven’t heard yet. There is another exciting piece of mail headed your way – one that we get particularly thrilled about – instrument selection.

For some of you the choice will come easy, as your child may already be studying an instrument. If that’s you – we think you’re cool! If not, we still think you’re cool simply because you are reading this. Anyway…

If you have no idea where to begin, let us be your guide. Most schools offer four different categories of instruments you can choose from.

clarinet

Woodwinds: This family of instruments includes flute, clarinet, saxophone, oboe, bassoon and piccolo. These instruments are generally small and easy to transport in a school bus, car or can be carried by kids who walk to school. Playing one of these instruments can also lead to your child being included in the concert band, marching band, jazz band or school orchestra. Some schools offer the recorder the year before introducing woodwind instruments to familiarize students with holding an instrument and using their breath and body to produce sound. The other good thing about woodwind instruments is that they come in many different sizes. So if your child is not physically able to handle a large tenor sax – the flute or clarinet may be more suitable.

trumpet

Brass: This group includes the trumpet, French horn, trombone, and tuba. These instruments will also lead to being part of concert bands, marching bands, jazz bands and orchestras. I’m not going to lie… these can be loud! But with patience and practice they can be very rewarding to play and listen to. These instruments can also be transported pretty easily with the exception of the tuba. Brass instruments also come in many different sizes giving a variety of students different choices.

cello

Strings: The string family features the violin, viola, cello and double bass. These are my favorites! These instruments are more geared for playing in the school orchestra but can always be used in other ensembles as well. Generally the violin and viola can be transported on a bus but cellos and basses may need to be driven to school or lessons. One of the great things about the string group is that each one comes in different sizes from half size to full size so even the smallest student can learn to play an instrument like the cello or double bass.

drums

Percussion: This family has the snare drum, drum set, timpani, cymbals, and xylophone. Generally, beginners learn how to play using a drum pad, which looks like a snare drum but is muted so it has very little sound. You’re welcome for that tidbit! Most elementary schools only offer the snare and bass drum to start and eventually add in the other percussion instruments as the students get into middle and high school. Most schools have these instruments so transporting is not generally an issue. Drum pads or electric drums can be kept at home for practicing.

Most schools offer lessons on these instruments one time a week in a group setting. Adding in a private lesson with one of our teachers will definitely give any student a real advantage and help them learn and master their instruments much faster.

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Instruments - Piano

Top 5 Easiest Rock Songs To Play On The Piano

nyc piano lessonsPlaying the piano is a skill that takes years of practice, dedication, and desire. Our students study every type of music during their piano lessons including classical, jazz and pop music. If you are just getting started with your piano lessons and are looking for some instant gratification, you need to take the time to practice and be patient.

With all of our NYC piano lessons, we aim to focus on small achievable goals, starting with the easiest songs to play on the piano. Other students that are enlisted in online lessons, might have a different set of goals, depending on the lesson schedule.

To get you started, here are some easy rock songs to get you ripping up the keys in no time!

1) “Let It Be” by the Beatles


Everyone knows and loves this one. This song has 4 chords that you can play. Learning this tune is a rite of passage for every budding piano player.

2) “Werewolves of London” by Warren Zevon


Here’s an easy piece to play and fun to sing along with. There are a few simple chords and once you learn it you’ll be playing one of rock’s most iconic piano licks!

3) “Sweet Home Alabama” by Lynyrd Skynyrd


Well – you’d be wise to avoid this song if you’re hanging out with Neil Young, but do play it if you want to impress your southern friends. It’s another iconic piano riff that’s easy enough to play.

4) “Hey Jude” by the Beatles


Yep, another Beatles song, but are you surprised? It’s easy, it’s awesome, and one of their biggest hits. Play this tune at a party and enjoy your rockstar moment.

5) Home Sweet Home by Motley Crue


This is great piano riff that was written by Crue drummer Tommy Lee. Learn how to play this and you might be able to date Pamela Anderson….

Well, here are five classic and easy songs to get you started on your musical journey, but don’t forget to keep practicing. Rock on!

Are You Ready To Learn The Piano?

Whether you’re in the New York City area or ready to learn by your computer, be sure to contact us to see how we can get you started with the piano.

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Lessons

Finding the Right Piano Teacher for Your NYC Lessons

piano lessons nycWhen choosing the right teacher for lessons in NYC, it’s important to choose right the first time. You don’t want to waste time building a relationship you’ll outgrow, or worse, find yourself dissatisfied with your teachers’ methods. But if you follow these three tips you’ll be able to know that you’re getting a piano teacher worth your time and money.

Classical piano training

First of all, make sure that your piano teacher has been classically trained. Many of the teachers at this company have studied at elite institutions such as Juilliard, Columbia University, and the Manhattan School of Music. Some of our piano teachers have played around the world and performed with internationally recognized musical groups. The bottom line is that they’ve spent decades refining their craft, so that teaching it comes naturally to them.

Teachers with a musical passion

It makes a big difference when you have a piano teacher who loves music as their passion, who has spent their entire life cultivating an understanding and love for piano. Other piano teachers who have a side gig teaching English or doing something else, and continue teaching piano just to make an extra buck are definitely worth avoiding, since they won’t be able to take your progress seriously.

Musical fluency

It goes without saying that when your piano teachers are classically trained and love what they do, they can also read music fluently. This is crucial for helping you to play more advanced pieces, for teaching you how music works and helping you gain greater proficiency during your piano lessons overall. Being able to sight read allows you to understand musical theory, which is crucial to becoming an advanced musician. If you don’t know how to read music, or if you eventually stop piano lessons and forget how to read music, it’s easy to plateau as a musician, so that all of the hard work and practice you put in over the years falls away, taking you to the point of where you were a few months after you first started piano lessons.

A piano teacher who meets the above three criteria is the kind of piano teacher to keep working with for years. You won’t outgrow your relationship despite how good you become. When you choose piano lessons with Music to Your Home, you can expect some of the best teachers in NYC.

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Inspiration - Instruments - Lessons - Piano

Playing Beethoven’s Fifth Next Piano Lesson

Practicing is the hardest part about playing piano. But if you don’t practice, it’s pretty obvious, and your music lessons just don’t go as well when your teacher can tell that you don’t care. In my experience, I’m most excited to practice when I can get excited about what I’m playing. Beethoven’s Fifth, for example, is probably one of the most awesome pieces of music in the history of the world. In fact, the seventy-five minutes it takes to play the Fifth were what inspired the length of CDs. If you were working to play that during your piano lessons, how could you not be excited about practicing?

Watch how this guy does it:

Beethoven’s Fifth Symphony

When the Fifth was originally performed in 1808, it was not a critical success. The orchestra played so poorly that Beethoven apparently had to stop the performance! Granted, the orchestra had only had one rehearsal, but the cold auditorium and the length of the performance, a four hour long concert during which the Sixth Symphony was played first and the Fifth during the second half, made the audience even less responsive. A year and a half later, a review of the published Fifth appeared in which it called the piece one of the most important works of music of the time. The time being during Napoleon’s occupation of Vienna. Supposedly, the famous first four notes represent Fate knocking on a door. How cool is that?

The Fifth Symphony’s Impact

Needless to say, Beethoven has been revered through all stages of rock ‘n’ roll, from “Roll Over Beethoven” by Chuck Berry, to “A Fifth of Beethoven,” the classic disco tune from “Saturday Night Fever.” To really get excited about your piano classes, it’s best to play something you recognize, and when you choose to play Beethoven’s Fifth, you’re choosing one of the most recognizable pieces of music the world has ever known.

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piano lessons
Lessons

Does Perfect Pitch Help With Piano Lessons?

People with perfect, or absolute, pitch are one in 10,000, which is pretty rare considering lefthanded people are about one in ten and you don’t see them everyday. Much like those with lefthandedness, people with absolute pitch are not smarter than those without; however, they do have a propensity to be more gifted in certain areas. Let’s put it this way: perfect pitch is not necessary to be a musical genius or to even excel in the piano, though it can certainly help being able to recreate a note without a tonal reference. Research shows that those with perfect pitch are better at transcribing music than those without, but those without are better at recognizing musical intervals. Mozart had it, which helped him compose, and some experts argue that Beethoven had it too, but it’s hard to know with certainty.

How to improve your pitch

Perfect pitch may be nice to have for those lucky few, but the rest of us have to content ourselves with humming, singing and dancing. When you’re doing any of these three activities, it’s basically impossible to be sad. Granted, if you’re blue, it can be hard to just get up out of your chair and start to dance or start singing pop standards, but if you warm up by humming, you’ll find that not only will your mood improve, you’ll also warm up your singing voice.

Start by humming high, and move lower once you feel like your pitch is right. Most people start humming too low, and wind up causing unnecessary tension in their vocal chords. Once you’ve identified your pitch with a hum, it’s much easier to start doing vocal exercises that help you focus on enunciation and phrasing. Throw in a little do-re-mi-fa-sol-fa-mi-re-do and in a few weeks your pitch may not be perfect, but it will definitely be a lot better than before. Who doesn’t want a beautiful singing voice to pair with their piano or guitar?

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Funky guitar lessons
Lessons

Can I Learn Funk at My Next Lesson?

Greetings, earthling. So you want to play funk? Well, before we get started on how funk began, you should know that funk is a very serious genre of music. It’s not for everyone because not everyone can access the funk. The funk first came to earth in the work of James Brown in his song “Sex Machine,” and then traveled around with Sly and the Family Stone, as seen in their seminal “Thank You”. However, it was not until George Clinton received the funk that the state of funk music would never be the same again.

Parliament Funk

Parliament Funkadelic’s strange breed of psychedelic funk, or P-funk, as it came to be known, changed the meaning of funk. Whereas James Brown’s funk displayed a stripped down rhythm, syncopated drum beats, and a switch from emphasizing the upbeat to the downbeat, by the mid-70s the grunts and vocal noises of James Brown had given way to a more choral approach with the multiple members of Parliament. Many other genres of funk, including disco-funk, electro-funk and the funk-rock of the Red Hot Chili Peppers’ exploded onto the scene inspiring millions of young funkateers.

Playing funk on guitar

Before you start to play the funk The only real criterion required is to have the funk. How do you know if you have it? You either do or you don’t and if you got it you don’t have to ask. Now let’s look at some videos to get you started so next guitar lesson, you can bust out some E9 riffs and show your guitar teacher that in your spare time you’ve been tearing the roof off that mother funker.

This one ain’t too fancy, should give you enough understanding to know what you’re getting into. If you like what you hear keep scrolling down the page.

Marty got the funk. Do you?

And here’s a little video to keep you inspired now that you got the funky basics.

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upper east side piano lessons
Lessons

Avant-Garde Piano Lessons on NYC’s Upper East Side

The rapidly changing Upper East Side

When I’m on the Upper East Side, I’m surrounded by culture. All of the museums, the park, the old brownstones, it’s no wonder I chose from this neighborhood. Though over the past few years, I’ve started to notice a shift in the establishments in the neighborhood, a tendency toward a more avant-garde styling. Maybe it’s because of the 2nd Avenue subway, or maybe it’s because now the Upper East Side is cheaper than many parts of North Brooklyn, but there’s change in the air, especially with regard to art and music.

It makes sense that the Upper East Side is finally getting an influx of artists. New York is the Paris of the 21st century, slightly past its Golden Age, but still a premier place for bohemians; you could draw the analogy that with such an influx of artists, the Upper East Side is like Montmartre of a hundred years ago.

Piano lessons a hundred years ago

In the 1890s, Erik Satie befriended Maurice Ravel and Claude Debussy, two of the greatest Impressionist composers, soon after Satie composed his famous Gymnopedies and Gnossiennes. As you probably know, Impressionism was already an established painting style so that the paintings of Manet and Monet were quickly giving way to the Post-Impressionism of Cezanne, Gauguin, and Van Gogh. Music typically follows behind painting and writing in its move toward new movements so it took another twenty years for these composers to incorporate the Impressionistic style into their work.

In the 1910s Satie was enrolled in Vincent d’Indy’s Schola Cantorum de Paris, studying counterpoint in his daily piano lessons. This was not Satie’s last foray into the baroque, either: in 1923, the Beaumont fete, known as the Bal Baroque, used Satie’s music as well as Picasso’s costumes to commemorate the ancien regime and the new restoration of an organ. Satie’s music is also called neoclassicism, for how it draws on order, rhythm and contrapuntal technique. The pared down instrumental forces in this musical style are a reaction against the Romanticism of the 19th century, whose absolute music lacked a musical narrative; while much of the neoclassicists’, such as Stravinsky’s and Satie’s music represented a story.

Although classical music is very different today than it was a hundred years ago, we have not lost our ties to tradition. While certain elements are rejected as stodgy, others are borrowed from older eras for being ahead of their time. The Upper East Side is a great place to feel history as well as the advancement of a new era, and that’s why Upper East Side piano lessons are the best in the city right now.

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piano lessons
Instruments

Why You Should Learn to Read Music

Imagine taking piano lessons and not reading music. While guitar tabs work pretty well for guitar lessons, it’s a little different taking instructional piano tutorials without sheet music. On a stringed instrument, you can name the string and where to pluck it, and this is how the earliest musical notation evolved in Sumer, in 2000 BC. But as musical instruments advanced, so did musical notation. By the time of the Byzantine Empire, notation had improved to the point of using a system based on differential, that is, according to the rise or fall of a pitch. But the lack of an absolute system led to the emergence of the modern staff notation we know today.

Modern musical notation

Guido d’Arezzo lived in the early eleventh century in northern Italy. He was a Benedectine monk who recognized how much difficulty singers had remembering Gregorian chants. Around 1025, he created the “ut-re-me-fo-so-la” mnemonic and the four line staff. This led to the standardization of melody, but it took another few hundred years for rhythm to be accounted for through standardized note lengths, and another nearly three centuries for the use of regular measures to come into play.

Reading music to improve your style

Today’s notation includes many different notes about how to play a piece, from tempo to expression and dynamics. These words above the staff can make for large differences in how the same piece can be played if only the notes and rhythm are followed; they allow for a personal touch on each note. Glenn Gould was very well known for playing Bach in a very individualistic style, so much so, that after Gould, it was hard to play certain Bach pieces in any other way. Indeed, Gould claimed that he often studied piano by reading sheet music instead of playing it. It also helped that Gould could memorize on sight, but hey, if he didn’t know how to read music, he might never have become as good as he was!

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Instruments

Why Violin Teachers Matter

violin lessons nyc

The worst violin teacher

When I was a kid, I used to take lessons for the the instrument, the violin, where I went to school. Thing was, my teacher was the worst. Her name was Ms. Ruby and she was this little angry woman who wore her hair in a bun with bristly strands sticking up. She’d spent her whole life teaching violin after she tried to make a career out of playing. It still burned her that Juilliard rejected her application. She was a real stickler for dedication to the instrument, since she’d never had enough to make it. So if we ever forgot our instruments she took it as a personal affront and she made us write out the word ‘supercalifragilisticexpealidotious’ throughout the entire period.

One day I forgot my violin and wrote ‘supercalifragilisticexpealidotious’ forty-one times. The next time I forgot my violin I thought about the first time I’d done it and I was dead set on writing ‘supercalifragilisticexpealidotious’ more than forty-one times. I wrote it forty-four times that day.

The next time I forgot my violin Ms. Ruby was in rare form. While I set out to write ‘supercalifragilisticexpealidotious’ forty-five times, Jimmy was acting a fool. Jimmy who was the class clown. He played the flute. He was making obscene gestures with it and Ms. Ruby got so mad, the veins on her neck stood out and we all thought she was going to send Jimmy to the principal to be expelled. Instead she just left the classroom. We didn’t know what to do. It was like we were free, but we weren’t quite sure if we were really free. This girl named Shawna told Jimmy he was really in trouble when she came back. Then Jimmy started to yell at her. And just as pandemonium was set to break out, Ms. Ruby walked back in and it was dead quiet. She said she’d had to leave or else she would’ve strangled Jimmy. She wasn’t joking.

I hated Ms. Ruby, too, of course. By extension I hated taking violin lessons. I didn’t learn anything I wanted to. I always thought of my violin as a burden, as something I had to learn. Until I graduated from fifth grade and I didn’t have to take a musical instrument any more.

Forgiveness after violin lessons

After Ms. Ruby, I could never feel the same way about violin lessons. It wasn’t until recently that I started to play guitar and understood that it wasn’t the violin’s fault; it was Ms. Ruby’s. Having a great teacher makes all the difference in how you practice and get excited about violin lessons.

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Inspiration - Instruments

The Best Cafes in the UES

The Upper East Side is a great place to hang out on an Indian Summer day. Quiet streets, lots of bars and restaurants, Central Park and Museum Mile? With so much to do between guitar lessons, it’s nice to find a quiet cafe to sit in. And while nothing beats pure practice, sometimes reading a book on guitar theory can help you better understand the science of music as well as re-motivate you to get back to playing. Try a cup of coffee from any of these five best Upper East Side cafes before your next strum.

DTUT

Also known as Downtown Uptown, this coffee shop has a great bean source and friendly baristas that serve tasty sandwiches. Their book-laden shelves and plush old-school furniture offer a great ambience during a round of macchiato and chocolate fondue, or while you sip a beer or glass of wine in the evening and classic guitar solos play on the speakers.

DTUT is located at 1744 2nd Ave between 90th and 91st Streets.

Birch

Known for their strong cold brews, Birch on the Upper East Side is a great place to drop in for a quick cup on your way to work or before your next guitar lesson. A few sips of this iced coffee and you will be cruising up and down the fretboard. They’re open every day from 7am to 8pm. You can also find Birch on the Upper West Side, in Flatiron, and on 7th Ave, off 14th Street.

Birch is located at 134 1/2 E62nd st.

East Harlem Cafe

best coffee in ues
Technically it’s not the Upper East Side, but we felt like this local hot spot deserves a mention. Their coffee, pastries and sandwiches are some of the best in the area, and the work vibe attracts a lot of young people. Bring Fretboard Logic and buckle down for an hour with a hot cup of joe and a red velvet cupcake!

East Harlem Cafe is at 1651 Lexington Ave., at the corner of 104th.

Corrado Bread and Pastry

Corrado is a great place for a respite after a long day of practicing guitar. Their pastries are world-class, perfect accompaniments to a delicious macchiato. Right near Hunter College, this cafe also attracts a very international clientele. Of course, they have baguette sandwiches and a variety of non-caffeinated drinks too.

Corrado is at 960 Lexington Ave. on the corner of 71st St.

Java Girl

This cafe is definitely on this list for tea. With a wide variety of loose leaf green and black teas, that’s not to say that their coffee is anything less than amazing. You can buy any one of their many coffees by the pound and take it home to keep you company during your next round of guitar-picking blues.

Java Girl is located at 348 E66th St., between 1st and 2nd Aves.

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