Practicing is the hardest part about playing piano. But if you don’t practice, it’s pretty obvious, and your music lessons just don’t go as well when your teacher can tell that you don’t care. In my experience, I’m most excited to practice when I can get excited about what I’m playing. Beethoven’s Fifth, for example, is probably one of the most awesome pieces of music in the history of the world. In fact, the seventy-five minutes it takes to play the Fifth were what inspired the length of CDs. If you were working to play that during your piano lessons, how could you not be excited about practicing?
Watch how this guy does it:
Beethoven’s Fifth Symphony
When the Fifth was originally performed in 1808, it was not a critical success. The orchestra played so poorly that Beethoven apparently had to stop the performance! Granted, the orchestra had only had one rehearsal, but the cold auditorium and the length of the performance, a four hour long concert during which the Sixth Symphony was played first and the Fifth during the second half, made the audience even less responsive. A year and a half later, a review of the published Fifth appeared in which it called the piece one of the most important works of music of the time. The time being during Napoleon’s occupation of Vienna. Supposedly, the famous first four notes represent Fate knocking on a door. How cool is that?
The Fifth Symphony’s Impact
Needless to say, Beethoven has been revered through all stages of rock ‘n’ roll, from “Roll Over Beethoven” by Chuck Berry, to “A Fifth of Beethoven,” the classic disco tune from “Saturday Night Fever.” To really get excited about your piano classes, it’s best to play something you recognize, and when you choose to play Beethoven’s Fifth, you’re choosing one of the most recognizable pieces of music the world has ever known.
People with perfect, or absolute, pitch are one in 10,000, which is pretty rare considering lefthanded people are about one in ten and you don’t see them everyday. Much like those with lefthandedness, people with absolute pitch are not smarter than those without; however, they do have a propensity to be more gifted in certain areas. Let’s put it this way: perfect pitch is not necessary to be a musical genius or to even excel in the piano, though it can certainly help being able to recreate a note without a tonal reference. Research shows that those with perfect pitch are better at transcribing music than those without, but those without are better at recognizing musical intervals. Mozart had it, which helped him compose, and some experts argue that Beethoven had it too, but it’s hard to know with certainty.
How to improve your pitch
Perfect pitch may be nice to have for those lucky few, but the rest of us have to content ourselves with humming, singing and dancing. When you’re doing any of these three activities, it’s basically impossible to be sad. Granted, if you’re blue, it can be hard to just get up out of your chair and start to dance or start singing pop standards, but if you warm up by humming, you’ll find that not only will your mood improve, you’ll also warm up your singing voice.
Start by humming high, and move lower once you feel like your pitch is right. Most people start humming too low, and wind up causing unnecessary tension in their vocal chords. Once you’ve identified your pitch with a hum, it’s much easier to start doing vocal exercises that help you focus on enunciation and phrasing. Throw in a little do-re-mi-fa-sol-fa-mi-re-do and in a few weeks your pitch may not be perfect, but it will definitely be a lot better than before. Who doesn’t want a beautiful singing voice to pair with their piano or guitar?
Greetings, earthling. So you want to play funk? Well, before we get started on how funk began, you should know that funk is a very serious genre of music. It’s not for everyone because not everyone can access the funk. The funk first came to earth in the work of James Brown in his song “Sex Machine,” and then traveled around with Sly and the Family Stone, as seen in their seminal “Thank You”. However, it was not until George Clinton received the funk that the state of funk music would never be the same again.
Parliament Funkadelic’s strange breed of psychedelic funk, or P-funk, as it came to be known, changed the meaning of funk. Whereas James Brown’s funk displayed a stripped down rhythm, syncopated drum beats, and a switch from emphasizing the upbeat to the downbeat, by the mid-70s the grunts and vocal noises of James Brown had given way to a more choral approach with the multiple members of Parliament. Many other genres of funk, including disco-funk, electro-funk and the funk-rock of the Red Hot Chili Peppers’ exploded onto the scene inspiring millions of young funkateers.
Playing funk on guitar
Before you start to play the funk The only real criterion required is to have the funk. How do you know if you have it? You either do or you don’t and if you got it you don’t have to ask. Now let’s look at some videos to get you started so next guitar lesson, you can bust out some E9 riffs and show your guitar teacher that in your spare time you’ve been tearing the roof off that mother funker.
This one ain’t too fancy, should give you enough understanding to know what you’re getting into. If you like what you hear keep scrolling down the page.
Marty got the funk. Do you?
And here’s a little video to keep you inspired now that you got the funky basics.
When starting to learn something new, especially when it’s violin or guitar, it can be hard to stay dedicated, to want to overcome the barrier that prevents most emerging musicians from keeping with guitar or violin and becoming good at that instrument. But think—it only takes about sixty hours of violin or guitar lessons before you become good enough to feel comfortable playing, knowing that if you keep up at this rate you’ll be able to play pretty much anything within a few more months of dedicated practice.
It’s before this point of sixty hours that you have to find yourself inspired somehow, and that’s where listening to other music comes in. It can be hard to be inspired by violin music if you’re unfamiliar with classical in general, or to find pleasure in guitar if you don’t really like the blues. But that doesn’t mean you can’t learn to like the kind of music you’re learning to play. The key to excelling at at the guitar is to think about how you’re spending your time, and to recognize that you’re learning, and that it takes time to get good, even if it is difficult. But once you get over that initial barrier, that first hurdle, you can play better and more widely. So if nothing else, just counting down your sixty hours of practice can be motivation enough when starting out. That’s roughly four months of practice at half an hour a day.
Music lessons as a noble practice
Above all, remember that the way you’re spending your time, learning guitar or violin, is a noble effort. When you have a great teacher from the Manhattan, someone who’s practiced for years and performed onstage, you can rest assured that what you’re doing will pay off; even if you aren’t a natural. Because experiencing difficulty in learning something new makes you a stronger, better person, especially if you stick with it and get to the point where you can play pretty much anything you want.