Violin Lessons

This Is How Hard Is It To Become a Professional Violinist

violin lessons nyc

It all starts with the violin. If you live in NYC, you have access to one of the best Philharmonics in the world. The New York Philharmonic is the oldest in the U.S., founded in 1842, and today they have won twelve Grammys. If you’re growing up as a kid in NYC taking violin lessons, you have some really great examples to follow.

High-Intensity Practice

If you continue with your violin lessons for a few years, you’ll start to get good. If you combine that with a serious passion for the instrument, your chances of becoming a professional violinist increase dramatically. It all comes down to how hard you practice, not when you started. Even though the Suzuki method advocates that the younger kids start the better chances they have, those who begin playing violin after grade school can definitely still become pros. They may be intimidated by how younger kids show superb talent but a lot of the time, these prodigies are forced to practice between two and three hours a day for years in order to further their chances of playing professionally and wind up playing like machines, without the deep, resonant feeling originally intended for the music.

If you’ve started violin later, you can still play professionally, you just need to catch up by practicing more. It can be hard to practice more than four hours a day, but studies show that the more you practice the more you will be willing and want to play. Professional violinists practice sometimes more than eight hours a day. That’s what you have to look forward to if you’re really serious about making a career out of playing violin.

Violin Love Outweighs Tough Competition

Once you have those thousands of hours of practice under your belt, you still have to beat out the competition. Usually only three or four seats open up every year across the U.S., with hundreds of people trying out. One wrong note immediately disqualifies you, and that’s not all. You can play the violin perfectly, but if your playing lacks a certain emotion, a certain feeling for the piece, that will separate you from the best. It can be nerve-wracking playing this way, even before you’re playing on a stage, but it’s part of the game. If your playing can stand out during an audition, your chances of moving on to the next round will improve. And while competition can be stiff, sometimes playing to beat friends for a seat in an orchestra, if you love violin, if it’s part of your essence, then you have to keep playing.

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September 8, 2014

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